Showing posts with label Carmilla Voiez. Show all posts
Showing posts with label Carmilla Voiez. Show all posts

Friday, June 13, 2014

Basement Beauty – blog tour - Carmilla Voiez


"Carmilla Voiez is more of a singer than a writer. She tells her compelling story in a hypnotic, distinctive voice that brings her eerie world vividly to life." Graham Masterton

While her imagery harks back to the writings of Clive Barker and H P Lovecraft, her voice is uniquely female. Starblood was, perhaps, the first true female horror story ever written, dealing with both sexual violence and the struggle of a woman trying to make sense of a senseless world.

Basement Beauty leaves the Crowleyesque world of magic and demons behind and takes us to the city of Glasgow where a serial killer leaves a trail of victims like statues, while a group of assassins hunt for a rogue vampire who is kidnapping human women for his own perverted pleasure. In the midst of this Amalthea and her friends try to scratch a living while negotiating their way through everyday sexism and violence. Basement Beauty is being unleashed on Friday 13th June and there will be a radio show and a Facebook based party to celebrate this, followed by an interview with the author on Zombiepalooza radio.

Carmilla grew up on a varied diet of horror. Her earliest influences as a teenage reader were Graham Masterton, Brian Lumley and Clive Barker mixed with the romance of Hammer Horror and the visceral violence of the first wave of video nasties. Fascinated by the Goth aesthetic and enchanted by threnodies of eighties Goth and post-punk music she evolved into the creature of darkness we find today.

Living in North East Scotland, she finds inspiration in the wildlife, castles and desolate places which surround her. She lives with her two children by the sea.

Her books are both extraordinarily personal and universally challenging. As Jef Withonef of Houston Press once said - "You do not read her books, you survive them."

Signed to Vamptasy Publishing in 2012 three books in the critically acclaimed Starblood Trilogy have been published both as stand-alone novels and as a complete trilogy and she is currently working on an erotic-horror anthology called “Bloody Sexy” and a graphic novel of the first book in the Starblood series. She has also edited and compiled a collection of psychological horror from the best new talent in the world of horror writing "Broken Mirrors, Fractured Minds". Carmilla Voiez is a name to watch.


You can find Carmilla's full bibliography at Amazon – http://smarturl.it/CarmillaOnAmazon
her blog can be found at http://carmillavoiez.wordpress.com
to find out more about Basment Beauty check out http://smarturl.it/BasementBeauty


Excerpt from Basement Beauty -

Amalthea stood outside the unlit entrance to “The Pit” and breathed in the cool, pre-dawn air. One hand brushed wild curls from her mouth and tucked them behind her ear. They sprang back across her cheek immediately, untameable.

As her skin acclimatised she drew jacket sleeves over her rich, honey-coloured arms. It was her post-work ritual: the time when she metamorphosed from a human doing into a human being.

A movement at the edge of her vision attracted her attention and she turned towards the shadowy alley where the night club bins were stored. Her direct gaze didn’t reveal any ghoul, goblin, animal or person skulking in the darkness, watching and waiting for her to leave, but her mind created a sinister shape anyway. For the past six weeks the evening news had continually hinted at unnatural deaths city-wide and rumours of a modern day Jack the Ripper were rife. Now every alleyway had become hostile territory and every shadow a killer, preparing to strike.

With her meditative moments, of simply being, stolen by fear of the impenetrable darkness, Amalthea decided to button her coat and get moving. Home wasn’t far away, a mere ten minute walk and at four am most of the drunks were already home, sleeping it off, or standing, unsteadily in taxi queues, waiting for chariots to return them safely to their beds. In fact, that was one thing that could be said about fear of the dark - it was good for the economy.

Some questions and answers -

Could you tell the readers a little bit about yourself?

I am a Goth, a horror writer and an all-round nut-case. I live in Scotland with my kids and cats and write horror stories from a female point of view, merrily turning tropes on their head and fucking with the gender binary one paragraph at a time. Well it keeps me happy.

Who are some of your favourite authors?

Clive Barker, Storm Constantine, Sarah Waters, Iain Banks and Haruki Murakami.

What’s the most important lesson you have learned about writing?

To let the creativity flow unhindered when writing the first draft of anything and worry about editing it later.


What aspects of writing to do you find the most difficult?

I love editing, but I find it very difficult to know when a story is as perfect as it’s going to be. I tend to hold onto them for a while, waiting for the perfect sentence structure to surface.



Friday, May 16, 2014

Starblood Trilogy by Carmilla Voiez Blog Tour

Carmilla Voiez is a pioneer in horror writing. Her visceral and violent no-holds-barred descriptions of magic, sex, demons and obsession might remind some readers of Clive Barker's wonderful works of horror and dark fantasy, however her stories are told from a uniquely female perspective. Old tropes of hapless female victims pursued by psychotic male killers are reversed or expelled and the result is disturbing yet at the same time refreshing.

Starblood has been released as a trilogy in three separate books Starblood, Psychonaut and Black Sun previously and these are all still available for Kindle or in paperback. However, on the 16th May 2014 a new volume, beautifully edited and perfected, of all three stories in one huge package will be available on Kindle, bringing Voiez's work to a whole new generation of horror readers.

There will be a release party on Facebook to celebrate the launch. Once the book goes live on Amazon this link will take you to that page. In the meantime it will direct you towards the party event where you can find out more. http://smarturl.it/TheStarbloodTrilogy

Praise for Starblood -

“In a market flooded with badly written supernatural romances passed off as horror, Carmilla Voiez is a prophet of the uncanny. Not since Clive Barker has any author mastered pure, visceral atrocity, and yet her characters maintain an elegance and humanity that turns what could just be a blood sport into a Shakespearean tragedy. Starblood may be the only true female horror novel in existence, and within its pages a reader is forced at knifepoint to see the world through the eyes of the raped, the abused, and the unloved with hateful clarity. She makes us bear witness to the demons we ourselves create. You don't read her books. You survive them.
” Jef Withonef, Houston Press.

Praise for Psychonaut -

"Carmilla Voiez is more of a singer than a writer. She tells her compelling story in a hypnotic, distinctive voice that brings her eerie world vividly to life." Graham Masterton

“Psychonaut is a book of mad impulses, inner vision, sadism, escape and belief. You feel uncomfortable reading it, like Alex strapped to the chair in Clockwork Orange being taught to feel sick at atrocity. Rather than leave us crippled by response, though, Psychonaut bears you through the hurt towards the only paradise we can be assured of...a love past fault.” Jef Withonef, Houston Press.

Praise for Black Sun -

“This is the concluding novel in the Starblood trilogy. Satori has brought Star back to the physical world, and the second novel, Psychonaut, could well have ended on that happy note, but as we know by now, Carmilla Voiez doesn't do clichés. Satori and Star have not returned alone: insidious influences from both the astral plane and the physical world intermingle in a web of deceit and betrayal of Wagnerian complexity. Even that which is not what it seems is not what it seems.

If you are a horror fan, the Starblood Trilogy has everything to recommend it. If you are not, you will enjoy having your comfort zone challenged - I certainly did.” J.R.B.

Author's bio -

Carmilla Voiez is a new voice in the world of horror. While the imagery harks back to the writings of Clive Barker and H P Lovecraft, her voice is uniquely female. Starblood is perhaps the first true female horror story ever written, dealing with both sexual violence and the struggle of a woman trying to make sense of a senseless world.

Carmilla grew up on a varied diet of horror. Her earliest influences as a teenage reader were Graham Masterton, Brian Lumley and Clive Barker mixed with the romance of Hammer Horror and the visceral violence of the first wave of video nasties. Fascinated by the Goth aesthetic and enchanted by threnodies of eighties Goth and post-punk music she evolved into the creature of darkness we find today.

Living in North East Scotland, she finds inspiration in the wildlife, castles and desolate places which surround her. She lives with her two children by the sea.

Her books are both extraordinarily personal and universally challenging. As Jef Withonef of Houston Press once said - "You do not read her books, you survive them."

Signed to Vamptasy Publishing in 2012 three books in the critically acclaimed Starblood Trilogy have been published and she is currently working on a vampire tale. She has also edited and compiled a collection of psychological horror from the best new talent in the world of horror writing "Broken Mirrors, Fractured Minds". Carmilla Voiez is a name to watch.

You can find Carmilla's full bibliography at Amazon – http://smarturl.it/CarmillaOnAmazon
her blog can be found at http://carmillavoiez.wordpress.com
and her Facebook page is at https://www.facebook.com/Author.Carmilla.Voiez

Excerpt from The Starblood Trilogy - 

The more Satori practises the more he realises that he has gone beyond what Paul can teach. Paul’s books, however - opening them, absorbing their musty pages and archaic language, he can smell power. Energy lifts from each paragraph and crackles in the air around him. He doubts their owner has read even a tenth of them. The secrets they hold: power beyond reckoning. He will learn how to defeat Lilith, he is certain of it. But how long will it take? Will I run out of time? He could spend an entire lifetime in these books and still leave some pages unturned.

The room has settled again. His eyes are ready to focus once more. Instantly, Satori forgets the idea of coffee and returns to the book on his lap. He sits cross-legged on the floor. His eyes pore over the words. A noise behind him makes him jump.

‘Paul, you scared me.’

‘Sorry Satori. I brought you some water and I’ve made lunch. Would you like to eat?’

Satori shakes his head. ‘Your library is amazing, but I can’t find the answers I need. These books just don’t cover battling anything as powerful as Lilith.’

‘Well think about it, Satori. What is Lilith? If it’s a demon then it’s as powerful as Asmodeus or Satan. But the Kabbalists call it a god. I’m not sure we’ll ever find the answer,’ Paul says. ‘You might as well rest for a while. I’m worried you’ll burn out.’

‘There is always an answer. We just need help. Maybe to fight a god you need a god. But who? One of the old pre-Christian ones? Do you really have no ideas?’

‘I have one.’ Paul walks across the room to a black lacquer cabinet. Taking a key from a chain around his neck, he unlocks the door. On a shelf at chest height Satori sees something covered with black linen. Paul beckons him over. Even covered, Satori can feel the object’s power. It frightens him.

‘What is it?’ he whispers.

Paul pulls the material away and Satori faces a clay head. Glyphs are carved across the forehead, cheeks and on either side of the chin. The eye sockets are filled with obsidian and the mouth, opened in an eternal scream, is stuffed with red clay.

Satori lifts his hand towards it.

‘Careful,’ Paul says.

‘What is it?’ Satori asks. ‘It feels … powerful.’

‘It’s a vessel of Balon,’ Paul answers, staring at the head. ‘And if you break the seal, the demons inside it will tear me apart. It’s an oracle of sorts. If I ask it a question it has to tell me the truth.’

‘Ask it about Lilith,’ Satori says.

‘What precisely do you want me to ask?’

‘Can I destroy her?’

Paul lifts the head and sets it on a low table. He pauses then turns it a few degrees anti-clockwise. His movements are gentle and full of reverence. A thread of sweat trickles down his brow as he concentrates. ‘Vessel of Balon, I have fashioned you with my Art. I have given you life. Now answer in truth. If the sorcerer Satori battles Lilith, can he destroy the demon?’

The room is silent. The glyphs on the head glow red. Its obsidian eyes shine as if lit by an internal fire. Satori’s ears strain to hear the answer. Holding his breath, he watches the head. Every hair on his body stands on end. In spite of his fascination and desire for knowledge, his body tells him to run from the room and never return. A trio of cold, powerful voices echo each other. ‘No.’

Thursday, March 21, 2013

Guest Writer, Carmilla Voiez


Let's welcome Carmilla, one of my co-authors at Vamptasty/Hot Ink Press/Crushing Hearts & Black Butterflies Press (A trio of publishers who are closely aligned.)

 What are your greatest challenges in your writing career?

I love writing, but struggle to promote myself to readers. I suppose it’s the publicist part of the job with which I struggle most.

When did you find out that you wanted to be a writer? What inspired you to put pen to paper?

I’ve always wanted to be a writer. As a teen I had some poetry published, then life somehow got in the way. I started again after studying Creative Writing with the Open University in 2009.

Of your published works, do you have a favorite? Why?

Psychonaut is my favorite so far. It shows how I’ve matured as a writer and is quite an amazing feat of imagination, if I might say so myself. It doesn’t hurt that one of my writing heroes, Graham Masterton, read, loved and endorsed it.

What are your biggest pet peeves for other people's grammar? Are there any mistakes that you find yourself making regularly?

I hate it when writers use the wrong their or there, your or you’re, it drives me nuts. My worst sin is punctuation. I leave out commas. Luckily I have an editor who tells me off for this. I keep her busy.

Do you ever want to go back and edit an older story?

I read some paragraphs from Starblood at my launch for Psychonaut recently and realized I hadn’t used italics for some of the main characters direct thoughts. I started sweating and wanted to recall all the copies.

Tell me about your first publication. Who was it with? How did you feel when you got that acceptance?

My very first publication was a poem about a vampire child which was accepted by Bats and Red Velvet magazine. I was delighted. I still have the copy.

What projects are you currently working on? Are you willing to share a small excerpt from a work in progress?

I’m currently working on the last book in the Starblood trilogy and two short stories. One is an erotic short which is a modern take on a fairytale sexed up. The other is for an anthology I’m editing of psychological horror.

This is an unedited section from Black Sun. Please keep this in mind when reading.

“He steps through the gate. His skin glows in the soft twilight. She watches him for a moment then follows. The loose stones on the driveway cut the soles of her feet as she walks behind him on tiptoes.

‘Steve,’ she whispers then speaks louder. ‘Satori?’

He looks back at her for a moment and nods. Then he is walking again, away from her and she hurries to catch up.

Graves mark either edge of the driveway: ostentatious statues of former leaders in the community. Steve turns left and starts walking along a mud pathway between two of the more modest marble sculptures. The earth is soft beneath her feet and her soles sink into the earth. She follows his footprints, striding wider than normal to match his path perfectly.

‘What are we doing here,’ she asks.

He keeps walking and she follows. Her vision touches the headstones at either side of the meagre pathway.

The angels and dogs morph into simple crosses and the occasional teddy bear as they progress through time to the newer graves.

Steve stops in front of a black cross. A tree reaches with bare branches across the grave.

Sarah reaches the marker and stands beside him. The name on the tombstone is Rhiannon. She looks at Steve. His head is bowed and his hands pressed together as if he is praying. She kneels at the edge of the turf, where grass has grown and died back for winter. The earth embraces her knees and she trembles.

‘Raven,’ Steve says at last. ‘I promised I’d bring you here when you returned.’”

Tell us three things about you that are interesting.

I’m a lifetime Goth.

I used to be a clothing designer.

I have had every colour of hair you could imagine.